next
next

DE | EN
DE | EN
Back to overview

Ass.Prof.in Dr.in Cornelia Brantner Programme Structure Ana ysis of ORF television programmes The Programme Structure Analysis of ORF's television programmes, which is undertaken annually as part of ORF's Quality Assurance System, has been carried out by the Vienna-based Institute for Knowledge Communication and Applied Research (IWAF) since 2015. Together with Jürgen Pfeffer, Professor of Computational Social Science & Big Data at the Technical University of Munich, I am responsible for the supervision and management of the project. In the process, the entire ORF programming is categorized according to the four categories of Information, Entertainment, Culture and Sport laid down in thecore public service mandate pursuant to Section 4 (2) of the ORF Act. In fulfilment of its public service programming mandate, ORF has to offer an overall programme encompassing all four categories and orientate itself towards the diversity of interests of all users and to take these into account in a balanced manner. The respective shares of the overall programme - this includes the four channels ORF 1, ORF 2, ORF III and ORF SPORT+ - must be in an appropriate ratio to each other.

In order to ensure the programme mandate, ORF is legally obliged to carry out an annual Programme Structure Analysis. IWAF was awarded the corresponding contract in 2015 based on a public tender. The categorization of the entire ORF television offering, briefly explained below, is carried out using a category system developed at the Institute of Journalism and Communication Studies and corresponds to the expert opinion by Haas, Brantner and Herczeg from 2013.

A team of coders assigns programme categories to individual ORF programmes. These detailed categories range from 100 "News" to 421 "Culture Magazine", 515 "Children's Film", to 996 "Animation Series". The coding is done in a Filemaker database. This contains meta-information for all individual programmes broadcast on all four channels in the corresponding year, such as channel, date, start/end time, duration, and title of the programme. The ORF's own coding of the detailed categories, as well as ORF Teleplan and the ORF websites provide the coders with information about the respective programme content. If there is any ambiguity, the programmes are inspected. The codebook developed for the content analysis provides instructions and numerous anchor examples that facilitate the assignment to the correct detailed category. In principle, the programmes are classified according to the focus of the respective programme format. To meet scientific quality standards and to guarantee the validity and reliability of the coding, the coders are trained accordingly, which ends with an intercoder reliability test. This should guarantee the validity and reliability of the coding. Furthermore, within the framework of project supervision, the classifications made are randomly checked during and after completion of the coding. These programme categories are then each grouped into one of the four broad categories mentioned. Assigning just one category can be limiting, as several of the detailed categories could be assigned to more than one. This is because there are overlaps between Entertainment and Information, between Information and Culture or between Entertainment and Culture - for example, in hybrid formats or the daily coverage of cultural or sports topics in news programmes.

However, the division of the programme categories into the four broad categories of Information, Entertainment, Culture and Sport is basically done by deciding which of the four categories is the focus in the detailed category. For example, according to the code book, the categories "173 National Folk Culture/ Lore" and "225 Folk Group Programmes" are assigned to the broad category of culture, since programmes classified in these categories correspond to a contemporary concept of culture. The final evaluation is carried out for all four channels - individually and together - for the entire reporting year. The percentage share of the respective categories in the overall programming is reported in seconds. The results serve as proof of the fulfilment of the programme mandate and are included in the ORF annual report.