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Public Value
PV News
Public Value Report
Public Value Bericht 2024/25
Best of ORF
01 - Trust: Ulla Kramar-Schmid
02 - Knowledge: Roland Gratzer
03 - Service: Sylvia Unterdorfer
04 - Responsibility: Andrea Eder
05 - Entertainment: Klaus Lintschinger
06 - Orientation: Elisabeth Pfneisl and Marlies Faulend
07 - Diversity: Michaela Mild
08 - Culture: Manuela Tomić, Kurt Reissnegger
09 - Integration: Yilmaz Gülüm and Faris Rahoma
10 - Citizens Proximity: Danuta Lang and the „Glue Boys“
11 - Identity: Alexander Apostolidis, Ernst Pohn & Otto Schwarz
12 - Federalism: Georg Fabjan
13 - Added Value: Christian Scheib
14 - Europe-Integration: Raffaela Schaidreiter
15 - Global Perspective: Gernot Lercher
16 - Transparency: Hidden Stars
17 - Compentence: Thomas Rathgeb
18 - Innovation: Stefan Kollinger & Marco Mursteiner
Public Value Bericht 2023/24
What is inside?
01 - What is the secret of the 5 colors?
02 - What does Public Value mean?
03 - How do you prove your independence, Ms. Laufer & Mr. Wolf?
04 - Why can I trust ORF news?
05 - Why doesn't ORF leave entertainment to commercial TV?
06 - Are there too many crime shows on ORF?
07 - Will the Millionenshow make you smarter, Mr. Assinger?
08 - What is worth knowing on ORF?
09 - What did you last learn on ORF?
10 - Does television make you healthy?
11 - Who does the ORF help?
12 - What's in it for deaf people on ORF?
13 - Where did you get that again?
14 - Why does the economy concern us all?
15 - Who decides what runs in the Report?
16 - Change or crisis? Climate on ORF
17 - Who at ORF decides who is an expert?
18 - What is public about Ö3?
19 - Is ORF really only for "the old people"?
20 - What's in the ORF for children?
21 - How does the ORF approach religion?
22 - David versus Goliath? Can ORF hold its own online?
23 - When was the last time you experienced culture on ORF?
24 - Where do YOU get a voice on ORF?
25 - Who looks behind the scenes?
26 - What is in "Heimat Fremde Heimat"?
27 - Why do we actually need an Austrian Broadcasting Corporation?
28 - How many languages does the ORF speak?
29 - Why does the ORF need 9 regional studios?
30 - What makes a film Austrian?
31 - 100 million for the movie. Is it worth it?
32 - How does ORF promote Austrian talents?
33 - How does the "Memory of the Nation" work?
34 - Why does Europe need public service media?
35 - What does ORF have to do with 3sat and arte?
36 - How much Europe is in the ORF?
37 - Are you sometimes afraid, Mr. Cupal?
38 - What does an ORF correspondent do all day?
39 - Why do I have to pay for ORF?
40 - Who owns the ORF?
41 - Who controls the ORF?
42 - Who checks the quality at ORF?
43 - Where can one file a complaint about the ORF?
44 - What changes with the Digital Amendment?
45 - Why can't I watch everything, anytime, and anywhere?
46 - How much AI is in the ORF?
47 - Is there a "next generation" in ORF?
48 - Can ORF learn from the past?
49 - Who is excellent?
50 - What's missing?
99 - Behind the scenes
Archive
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TEXTE
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DOCUMENTS
Organisation
Organisation
ORF Executive board
Mag. Roland Weißmann
Eva Schindlauer, BSc
Stefanie Groiss-Horowitz
Ingrid Thurnher
Dr. Harald Kräuter
Publications acc. ORF Act
Bestellung STR-Mitglieder durch PKR
Order verification
Completed order verification examinations
Ongoing order verification examinations
Quality assurance system
Annual report
Annual consolidated financial statement
ORF barrier-free
Commercial communication
Transfer of sport rights
Access to ORF online platforms
Rechteeinräumung an ORF-Inhalten
ORF Public Value Report
household contribution
ORF-Transparenzbericht
Code of conduct
Law & Principles
Transparency Report for debatte.ORF.at
More Public Value
ORF- quality assurance system
Media quality
Public Service Internet Manifesto
Statements regarding PSM
Backstage
DialogForum
News in Simple Language
#Next Generation
Public Value
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PV News
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Public Value Report
Public Value Bericht 2024/25
Best of ORF
01 - Trust: Ulla Kramar-Schmid
02 - Knowledge: Roland Gratzer
03 - Service: Sylvia Unterdorfer
04 - Responsibility: Andrea Eder
05 - Entertainment: Klaus Lintschinger
06 - Orientation: Elisabeth Pfneisl and Marlies Faulend
07 - Diversity: Michaela Mild
08 - Culture: Manuela Tomić, Kurt Reissnegger
09 - Integration: Yilmaz Gülüm and Faris Rahoma
10 - Citizens Proximity: Danuta Lang and the „Glue Boys“
11 - Identity: Alexander Apostolidis, Ernst Pohn & Otto Schwarz
12 - Federalism: Georg Fabjan
13 - Added Value: Christian Scheib
14 - Europe-Integration: Raffaela Schaidreiter
15 - Global Perspective: Gernot Lercher
16 - Transparency: Hidden Stars
17 - Compentence: Thomas Rathgeb
18 - Innovation: Stefan Kollinger & Marco Mursteiner
Public Value Bericht 2023/24
What is inside?
01 - What is the secret of the 5 colors?
02 - What does Public Value mean?
03 - How do you prove your independence, Ms. Laufer & Mr. Wolf?
04 - Why can I trust ORF news?
05 - Why doesn't ORF leave entertainment to commercial TV?
06 - Are there too many crime shows on ORF?
07 - Will the Millionenshow make you smarter, Mr. Assinger?
08 - What is worth knowing on ORF?
09 - What did you last learn on ORF?
10 - Does television make you healthy?
11 - Who does the ORF help?
12 - What's in it for deaf people on ORF?
13 - Where did you get that again?
14 - Why does the economy concern us all?
15 - Who decides what runs in the Report?
16 - Change or crisis? Climate on ORF
17 - Who at ORF decides who is an expert?
18 - What is public about Ö3?
19 - Is ORF really only for "the old people"?
20 - What's in the ORF for children?
21 - How does the ORF approach religion?
22 - David versus Goliath? Can ORF hold its own online?
23 - When was the last time you experienced culture on ORF?
24 - Where do YOU get a voice on ORF?
25 - Who looks behind the scenes?
26 - What is in "Heimat Fremde Heimat"?
27 - Why do we actually need an Austrian Broadcasting Corporation?
28 - How many languages does the ORF speak?
29 - Why does the ORF need 9 regional studios?
30 - What makes a film Austrian?
31 - 100 million for the movie. Is it worth it?
32 - How does ORF promote Austrian talents?
33 - How does the "Memory of the Nation" work?
34 - Why does Europe need public service media?
35 - What does ORF have to do with 3sat and arte?
36 - How much Europe is in the ORF?
37 - Are you sometimes afraid, Mr. Cupal?
38 - What does an ORF correspondent do all day?
39 - Why do I have to pay for ORF?
40 - Who owns the ORF?
41 - Who controls the ORF?
42 - Who checks the quality at ORF?
43 - Where can one file a complaint about the ORF?
44 - What changes with the Digital Amendment?
45 - Why can't I watch everything, anytime, and anywhere?
46 - How much AI is in the ORF?
47 - Is there a "next generation" in ORF?
48 - Can ORF learn from the past?
49 - Who is excellent?
50 - What's missing?
99 - Behind the scenes
Archive
Publications
TEXTE
STUDIES
DOCUMENTS
Organisation
Organisation
ORF Executive board
Mag. Roland Weißmann
Eva Schindlauer, BSc
Stefanie Groiss-Horowitz
Ingrid Thurnher
Dr. Harald Kräuter
Publications acc. ORF Act
Bestellung STR-Mitglieder durch PKR
Order verification
Completed order verification examinations
Ongoing order verification examinations
Quality assurance system
Annual report
Annual consolidated financial statement
ORF barrier-free
Commercial communication
Transfer of sport rights
Access to ORF online platforms
Rechteeinräumung an ORF-Inhalten
ORF Public Value Report
household contribution
ORF-Transparenzbericht
Code of conduct
Law & Principles
Transparency Report for debatte.ORF.at
More Public Value
ORF- quality assurance system
Media quality
Public Service Internet Manifesto
Statements regarding PSM
Backstage
DialogForum
News in Simple Language
#Next Generation
Beitrag
Zurück zur Übersicht
Christian Scheib, leitet „Diagonal“ und Sonderprojekte für Ö1
Best of Wertschöpfung
Warum brauchen wir eigentlich einen Österreichischen Rundfunk?
Ein Video mit Alexander Van der Bellen
Was macht einen Film österreichisch?
Ausschnitt DialogForum
Wie fördert der ORF österreichische Talente?
Ein Video mit Silvia Lahner
© ORF
Das Risiko zu Scheitern
Barbara Eder, Filmregisseurin
© Foto: ORF
Europa. Wie wir.
Katharina Schenk, ORF-Fernsehfilm
© Foto: leomariabauer
Investitionen sind unverzichtbar
Sandra Klingohr, Geschäftsführerin „Sandrats“
© Grafik: ORF, Bild: Christian Stipkovits
Du kannst vielleicht schreiben
Zita Bereuter, FM4
© Grafik: ORF, Bild: Eva Fischer/sound:frame
FM4 ist ein Teil meines Lebens
Eva Fischer, Direktorin von sound:frame
© ORF
Der Alltagsengel
#Timo Abel-Benini, ORF Landesstudio Tirol
© ORF
ÖsterreICH KANN
#Ines Schwandner und #Marika Püspök, Redakteurinnen der ORF-Fernsehdirektion
© ORF
Werte schaffen Werte
#Bernhard Natschläger, Redakteur und Dramaturg Fernsehfilm
Land der Vielfalt
Public Value Bericht 2016/17 - Österreichwert - Poster
Föderalismus – Identität – Wertschöpfung
Public Value Bericht 2016/17 - Österreichwert - DATEN
© ORF
Die Online-Verblödung
Public Value Bericht 2015/16: Antonia Krenn – Klimaschutzpreisträgerin
© ORF/Roman Zach-Kiesling
Das erste grüne Ereignis
Public Value Bericht 2015/16: Pius Strobl – Büro Medienstandort
© Milenko Badzic
Aufmachen für 200 Millionen
Public Value Bericht 2015/16: Edgar Böhm – Familie & Unterhaltung, ORF
© ORF/XeniaTrampusch
Ein guter Jahrgang
Public Value Bericht 2015/16: Mag. Clemens Stadlbauer – Ö3
© ORF/Petro Domenigg
Lust auf Kontrast
Public Value Bericht 2015/16: Dr. Heinrich Mis – Fernsehfilm im ORF
© ORF
Public Value Bericht 2013/14
Trailer zur Public-Value-Woche im ORF
Berge in der Hauptrolle
Tirol Heute über die ORF-Filmförderung
Kontakte knüpfen und Kipfel essen
Vorarlberg heute berichtet vom 4. Kipfel-Treffen im Landensfunkhaus
© ORF/Hubert Mican
Wenn das Tatort-Team kommt
ECO - Wertschöpfung durch den ORF
Harmonikawettberwerb als Bildungsanreiz
Josef Loibner, ORF Steiermark
Musiknation von Weltrang
Stefan Trischler, FM4
Sportberichterstattung mit kritischem Charakter
Assoz. Pro. Dr. Minas Dimitriou, Universität Salzburg
© ORF/Günther Pichlkostner
Sozioökonomisches Portrait des ORF-Landesstudios Wien
MMag.a Agnes Streissler
© ORF
Studie 2012: "Volkswirtschaftliche Effekte des ORF-Fernsehens"
Matthias Firgo, Oliver Fritz (WIFO), Gerhard Streicher (Joanneum Research)
Musik in und aus Tirol
Patrizia Jilg, Tirol heute
Zeit-Ton
Gustav Danzinger, Musikredaktion
Abseits des Mainstreams
Dorothee Frank, Ö1 Kulturredaktion
Kunst bereichert
Beate Goluch, Radio Steiermark
"Treffpunkt Musik" in Oberösterreich
Alice Ertlbauer-Camerer, Oberösterreich heute
Public Value als Wertschöpfungsbegriff
Univ.-Prof. Mag. DDr. Matthias Karmasin, Institut für Medien- und Kommunikationswissenschaft an der Universität Klagenfurt
Musik und Humor
Peter Hofbauer, Direktor Metropol Theater/Wien
Das RSO als offener Klangkörper
Erwin Sükar, Rundfunksymphonieorchester
Einfach klassisch
Bettina Waldner-Barnay, Einfach klassisch
