
60% do not feel prepared for a blackout. The ORF has reported on the topic over 100 times by 2025: about blackout exercises conducted by power plant staff and individual federal states, about crisis preparedness in various communities, or about blackouts around the world such as in the Australian Parliament or the last major European blackout on the Iberian Peninsula at the end of April 2025. ORF is Austria's number one source of information in case of crisis and disaster—and meticulously prepares for it, whether through exercises, its own power supply or crisis plans.
In a crisis situation, the competence of ORF employees is particularly challenged, and conversely, they are also the most trusted: As part of the Ö3 Jugendstudie, over 80% of participants stated that they would trust news from public broadcasters in times of crisis or war, 65% trust newspapers, 53% commercial electronic media, and only 27% trust social media.

The survey on opinions related to disaster topics also shows a clear picture with strong approval, for example, for the support of public service media in disaster situations, among other things.

The desire for independence also plays a role, as 89% want media that are independent of large corporations.

People want to rely on Austrian Broadcasting and its employees. It is therefore logical that ORF invests more in training and development than other media (data below); an investment that may also be attributed to the numerous awards and recognitions that ORF employees receive each year.
Competence as a Public Value Category
The category "Competence" highlights ORF's performance in areas such as personnel development and employee training. The category is based on passages from ORF regORF regulationsulations:
ORF Law
§ 4a. (1) The Director-General shall establish a quality assurance system that defines criteria and procedures to ensure the fulfillment of the public service core mandate, with particular consideration of the independence and self-responsibility of all program-designing employees, the freedom of journalistic practice, and the independence and self-responsibility of directors and regional directors.
§ 4. (8) The Director-General shall, in agreement with the editorial committee, create a code of conduct for journalistic activity in the design of content offerings.
ORF Program Guidelines
No program genre is exempt from offering demanding content. The demand is derived not only from the selection of topics and materials reported on but also from the way they are implemented programmatically. This criterion can be met through special creative, journalistic, or artistic quality that encourages critical engagement
ORF Quality Profile
In implementation, a high level of craftsmanship in terms of text, sound, camera work, direction, editing, etc., is to be aimed for. Especially in television, the suggestive power of the visual recording of the extraordinary can be so strong that the general dimension of the event is largely lost to the viewer. This distortion effect should be counteracted through presentation and text, as far as it cannot be completely eliminated. When examining and selecting topics to be addressed and the manner of their communication, comprehensibility should be considered
ORF Mission Statement
ORF is a future-oriented media company whose employees design the service offering with commitment, competence, and creativity.
Figures & Data
Below you will find exemplary numbers documenting the fulfillment of the public service mandate and the associated media quality. Further information can be found in the ORF's annual report to the Federal Chancellor and regulatory authority, the transparency report, the business and sustainability report, and the reports on equality (ORF Public Value - DOCUMENTS), the action plan on accessibility, or the ORF's annual and consolidated financial statements.
Exemplary Figures
Schulungen im ORF
| Seminare | Teilnahmen | Tage | |
| Gesamtbilanz | 1.451 | 8.767 | 1.378 |
| Administration | 26 | 186 | 27 |
| Betriebliche Gesundheitsförderung | 71 | 215 | 50 |
| EDV-Administration | 28 | 186 | 55 |
| EDV-Anwendung | 59 | 579 | 25 |
| Frauenförderung | 9 | 114 | 11 |
| Führung | 125 | 714 | 124 |
| Marketing | 4 | 33 | 4 |
| Methode | 150 | 692 | 158 |
| Multimediales Arbeiten | 12 | 81 | 22 |
| Organisationsentwicklung | 64 | 637 | 102 |
| Redaktion | 361 | 2.139 | 364 |
| Sicherheit | 72 | 756 | 77 |
| Sprachen | 10 | 10 | 26 |
| Sprechtraining | 262 | 686 | 134 |
| Technik | 139 | 1.079 | 151 |
| und außerdem | 59 | 660 | 48 |
ORF Expert:innendatenbank
| 362 Eingetrage Expert:innen |
| 40 Fachbereiche |
| 400 Expertisen |
| 35 Tätigkeitsorte (Wien, Graz, Innsbruck, Berlin, ...) |
Ausgezeichnet 2025 - eine Auswahl
| Preis | Preisträger:innen |
| Sports Media Austria-Preis für Journalistinnen und Journalisten 2025 | Christian Prates |
| Golden Showreel | Florian Krämmer |
| Fernsehpreis der Erwachsenbildung 2025, US International Award in Silber 2025 | Gabi Kerschbaumer |
| Local Hero | Karl Kern |
| Die besten 30 unter 30 im Journalismus | Constanze-Margareth Kreuzberger / Matteo Eichhorn |
| WINFRA Journalismuspreis | Birgit Pointner / Matthias Lang |
| Preis der Wiener Ärztekammer | Karl Reis |
| smago! Award Österreich 5.0-"Der TV-Macher" | Florian Illich |
| Local Hero | Angelika Simma-Wallinger / Norbert Lehner |
| Familienfreundlicher Betrieb 2024-2025 (Land Vorarlberg und zahlreiche weitere Institutionen) |
Markus Klement |
| Journalismus-Nachwuchspreis der FH Wien der Wirtschaftskammer | Irina Wittmann |
| 2. Platz des Prix Bohemia Radio | Martha Georgiew |
| Pressepreis Österreichische Ärztekammer | Constanze Ertl |
| ÖZIV-Medienpreis | Constanze Ertl |
| Österreichiches Rotes Kreuz Humanitätspreis Heinrich-Treichl-Stiftung | Christian Jänsch |
| Milan Frühbauer-Preis der Industrie-„Wirtschaftsjournalist des Jahres“ | Volker Obermayr |
| Platz 6 der besten Wirtschaftsjournalistinnen und -Journalisten | Michael Fröschl |
| Journalistinnen und Journalisten des Jahres | Inka Pieh Christophe Kohl Rosanna Atzara Sebastian Prokop Stefan Lenglinger |
| Hans-Ströbitzer-Preis | Kathrin Pollak-Greilberger |
| Presseclub Concordia der Journalismuspreis "von unten" | Veronika Mauler |
| Silberne MedienLÖWIN | Veronika Mauler |
| New York Festivals International Radio Awards-Silber | Jürgen Pettinger, Ernestine Arnold |
| New York Festivals International Radio Awards-Bronze | Eva Roither |
| BBC Audio Drama Awards: 2. Platz | Elisabeth Weilenmann |
| Ö1 Hörspiel-Publikumspreis 2025 | Elisabeth Weilenmann |
| Ö1 Hörspielpreis "Bestes Originalhörspiel" 2025 | Andreas Jungwirth |
| Ö1 Hörspielpreis „Bestes Sound Design“ | Ursula Scheidle |
| Journalistinnen und Journalisten des Jahres- 2024 | Raffaela Schaidreiter |
| Das Goldene Verdienstzeichen Wiens | Fritz Ostermayer |
| Radiopreis der Erwachsenbildung | Michael Fiedler |
| News and Documentary Emmy (2025): Nominee Best Cinematography; Green Screen International Wildlife Film Festival (2025): WINNER Beste Story; Buzzie Award (2025): WINNER Bester Naturfilm; 28th Gran Paradiso Film Festival (2025): WINNER GOLDEN IBEX; Gran Paradiso Film Festival (2025): WINNER Junior Golden Ibex; Gran Paradiso Film Festival (2025): WINNER Best Screenplay; China Wildlife Image and Video Awards (2025): WINNER GRAND PRIX; Nature Without Borders International Film Festival (2025): WINNER Outstanding Excellence Award; Moss Farm Festival Montreal (2025): WINNER – Best Documentary; Ankara International Wildlife Documentary Film Festival (2025): WINNER Special Jury Prize; Sondrio International Festival on Parks (2025): WINNER Sondrio National Park Award; Sondrio International Festival on Parks (2025): WINNER Renata Viviani Special Award; |
Will & Lianne Steenkamp |
| Mountain Film International Festival: Award Beste Österreichische Produktion | Patrick Centurioni |
| Wildscreen Festival Panda Awards (2025): Nominee Sustainability Award | Therese Engels |
| Jackson Wild Media Awards (2025): Finalist Best Sound | John Murray |
| Green Screen International Wildlife Film Festival (2025): Heinz Sielmann Filmpreis; Deutscher Naturfilmpreis 2025: Bester Film Wildnis Natur |
Jens Westphalen Thoralf Grospitz |
| Green Screen International Wildlife Film Festival (2025): Greenscreen Naturfilm Preis; ?Green Screen International Wildlife Film Festival (2025): Beste Musik | Christian Baumeister Jozef Kaut |
| Fernsehpreis der Erwachsenenbildung/ Kategorie "Menschenrechte und Gesellschaft" | Caroline Haidacher Stefan Ludwig |
| Kardinal-Innitzer-Preis 2025 - Wissenschaftspublizistik | Marlene Nowotny |
| Journalismuspreis Informatik der Universität Saarland | Sarah Kriesche |
| Radiopreis der Erwachsenenbildung | Till Köppel |
| Herbert Pichler-Inklusions-Medienpreis | Juliane Nagiller Ulla Ebner Georg Pöchhacker |
| PRIX EUROPA 2025 - Audio Music Category | Stefan Niederwieser Robert Stadlober |
| Radiopreis der Erwachsenenbildung - Kategorie „Menschenrechte und Gesellschaft“ | Renata Schmidtkunz |
| Eduard Ploier-Preis für ökonomische, demokratische und politische Bildung | Ulrike Schmitzer Karin Berger |
| Ehrenzeichen des Landes Kärnten | Bea Sommersguter |
| Journalistin des Jahres im Bereich Wissenschaft | Elke Ziegler |
| LGT Medienpreis | Michael Mayrhofer Johannes Schwitzer-Fürnsinn |
| „Papageno-Medienpreis für suizidpräventive Berichterstattung“ | Diana Köhler Johanna Tirnthal |
| Österreichischen Staatspreis für Literaturkritik 2025 | Peter Zimmermann |
| Robert Hocher Preis 2025 | Nora Zoglauer |
| Journalismuspreis „von unten“ | Tiba Marchetti |
| CIO of the Year 2025 | Astrid Zöchling |
| Journalismuspreis Integration | Ajda Sticker |
| Professortitel (2024) | Arnulf Prasch |
| New York TV & Film Awards - GOLDENEN TOWER - Performance by an Actress | Adele Neuhauser |
| New York TV & Film Awards-GOLDENEN TOWER- Drama (für die Geschichte) | Klaus Lintschinger |
| deutscher VNN-Journalistenpreis | Laura Franz Christoph Bartos |
| Wiener Journalistinnenpreis 2025 | Eva Linsinger |
| International Classical Music Awards | Marin Alsop Markus Poschner |
| Journalismuspreis von unten / lobende Erwähnung | Johannes Kaup |
| CCA-Venus | Daniel Kupka |